Can Glee be called a musical in the classical sense Dissertation

Can Glee be called a medicineal in the classical mavin - Dissertation ExampleThis Can Glee be called a musical in the classical reason? dissertation describes particular features of the musical and analyze Glee to answer the question if we can count it as classical musical or no. The musical began as early as the 1600s, usually which was referred to as a muniment like opera. The main grammatical constituent was to cook a crown of thorns model of the per turnances amid acting and music. The narrative would depict the main ideals that were being told in the story, while the musical numbers were subject to pause to reflect on the emotions and responses from the characters according to what was occurring within the plot. The musical numbers are able to outlet the viewer outside of the reality of what is occurring and break into the songs to show the other perspectives of what is occurring within the film. This is make uped with narrative, performance and the dance gestures whi ch follow each of the musical components as well as the overall structure of the musical. By adding in the hybrid expressions for the musical, thither was the ability to have more creative expressions and freedom that allowed the viewer to see to it the context of the narrative diametricly, either for entertainment or to deepen the meaning of the main film. The different concepts of the musical move beyond the inter inter stirs of form and medium and into ways in which the musical is able to create a significant change to the overall feel of the performance. In both theater and film musicals, there is the use of music to change the context of the performance. ... he musical, there was the ability to have more creative expressions and freedom that allowed the viewer to understand the context of the narrative differently, either for entertainment or to deepen the meaning of the main film (Cohan, pg. 59). The different concepts of the musical move beyond the interchanges of form and medium and into ways in which the musical is able to create a significant change to the overall feel of the performance. In both theater and film musicals, there is the use of music to change the context of the performance and viewpoint of those that are watching the drama. The first component to this is the idea of repetition. The songs that are used in musicals comprise of three verses and choruses that are repeated in between the verses. When this goes outside of the traditional formula, then there is a noticed line which is repeated, known as the hook. The music then changes the context and meaning, specifically because the repetition is able to drive a theme forward which couldnt be heard or displayed in a regular narrative. The effect of repetition, combined with the several hybrid expressions intertwined with this, such as the gestures and dance, are then able to emphasize parts of the musical and create a different effect when speaking to the audience about the most importan t factors noted in a specific point of the musical (Kramer, pg. 180). The underlying component that is used with the musical then leads to the conventions of the musicals, specifically which becomes a synthesis of music / dialogue / dance and emotion combined with narrative. Instead of creating a linear form that is often expressed in other types of music, there is a focus on the hybrid comment of interchanging works, some which are used for emphasis, and others which